
Olivia Hamer-Webb
Step inside the studios and creative spaces of the makers we admire. The Charms Behind the Craft is a series spotlighting creatives around the world - not just what they create, but the jewels they wear while doing it. Hear from them in their own words about the craft they fell in love with, where they find their inspiration, and the story behind their stack.
First up, meet @oliviahamerwebb a self-taught Ceramicist, based in Bath, Somerset.
01. Tell us about you
I began working with clay in 2022, although my connection to it started much earlier. My first paid role was in a pottery studio, and growing up with an artist mother meant I was always surrounded by creativity. That early exposure naturally shaped the way I approach my work today.
What began as a personal, creative outlet quickly became something much deeper. I was drawn in by the process, the quiet repetition, the discipline, and the constant opportunity to refine and evolve.
I’m a Virgo on the cusp of Libra, which I think reflects both the precision and softness that come through in my work.
02. What made you start creating?
Creating became a way of reconnecting with myself. At the time, I was struggling with my mental health and felt disconnected from that instinctive, creative part of who I am. Working with clay brought me back to something very grounding and honest. There’s a simplicity in using your hands that allows everything else to fall away.
Although I had no formal training, I became completely absorbed in the process. Learning through observation, repetition, and developing an intuitive feel for the material. That journey of self-teaching continues to shape my practice.
03. Where do you find inspiration?
Nature is my primary source of inspiration. Particularly in colour, texture, and form.
While some of my earlier work was rooted in functionality, I find myself increasingly drawn to pieces that reflect the softness and irregularity found outdoors. This influence is becoming more central in my newer collections.
04. What makes the perfect ceramic piece?
For me, perfection lies in imperfection. A fingerprint, a subtle distortion, or an uneven edge. These are the details that give a piece its presence. They speak to the time, care, and human touch behind it.
A truly beautiful object holds that balance between intention and spontaneity. It feels considered, yet alive.
05. How do your charms tell your story?
I’m drawn to charms in much the same way I approach my ceramics - instinctively.
Gemstones, in particular, resonate with me. They feel like wearable fragments of nature, each one carrying its own tone, texture, and individuality. That sense of organic uniqueness is something I try to echo in my own work, creating pieces that feel personal, tactile, and quietly expressive.
06. One piece of advice for someone wanting to start ceramics?
Allow yourself to be a beginner, and learn to appreciate the process. Working with clay teaches patience, sensitivity, and trust that you can’t rush it, and you can’t fully control it. There’s a quiet discipline in that, but also a kind of freedom.
Rather than focusing on the outcome, it’s about developing a relationship with the material over time. And above all, hold onto a sense of play, that’s where the most honest work comes from.


































































